Four generations,
one bench.

A set of pattern books that has never stopped being written — and a way of working that has barely changed since the first cut.
The family pattern books
Where it begins

One book, begun in 1947.

If this house has a heart, it is a set of cloth-bound books kept under glass in the workshop. The first was drawn in ink by Master Chen’s great-grandfather — every cut he made recorded by hand: the angle, the weight, the grain of the stone, and where the piece was a commission, the name of the person it was made for.

Four generations have added to them since. They have never stopped being written.

We open them not out of nostalgia, but for technique. A difficult stone on the bench today has, more often than not, been solved once before — decades ago, in a steadier hand than our own.

The first generation
1947
First Generation

The first cut.

The Chen family begins working jade. The first pattern book — drawn in ink by Master Chen’s great-grandfather — is bound in cloth and, to this day, kept under glass in the workshop.

The second generation
1970s
Second Generation

The craft passes down.

Each cut continues to be recorded — angle, weight, polishing time — adding volume after volume to the family’s growing archive of technique.

The third generation
2019
Third Generation

Her judgement, on every stone.

Until 2019, Master Chen’s mother handled all sourcing in the valley. Every rough that entered the studio passed through her judgement first. Her notebooks join the archive — prices, sources, the quiet politics of the jade trade.

The fourth generation
Today
Fourth Generation

The books, still open.

Master Chen carries the house forward — still consulting his grandfather’s drawings, still keeping the books. Some problems we solve today were solved sixty years ago, often better.

From rough to finished

How a piece is made.

Eight stages, all by hand, from a rough stone to a finished piece. Nothing here is rushed.
Selecting the rough
01

Selecting the rough

A stone is chosen for its colour, translucency, and grain. Nine in ten are turned away before one is kept.

Reading the stone
02

Reading the stone

Before any cut, the rough is studied — sometimes for weeks — to decide where its best material lies and what it wants to become.

Cutting
03

Cutting

The first cut is the one that cannot be undone. It follows the plan set down at the bench, and recorded in the books.

Shaping and carving
04

Shaping & carving

The form takes shape by hand — whether the clean curve of a bangle or the detail of a carved pendant.

Grinding
05

Grinding

The surface is refined through progressively finer abrasives, bringing the piece close to its final form.

Polishing
06

Polishing

Patient hand-polishing draws out the depth and glow that only fine jadeite can hold.

Finishing and waxing
07

Finishing & waxing

A final wax protects and completes the piece — the only surface treatment a Type A stone ever receives.

Delivery
08

Certified & delivered

The finished piece is certified, recorded in the books, and packed by hand — then sent to you, insured, wherever you are.

Seventy-odd years, written one cut at a time.
Meet the hand that carries it forward, or visit the workshop where the books still sit on the shelf.
Master Chen → Visit the atelier →